Showing posts with label jennibead. Show all posts
Showing posts with label jennibead. Show all posts

Wednesday, January 2, 2013

Changes!

Hello my friends,

There is no time like the beginning of a year to make changes... this will be the first of many! All for the good, of course.

Please bear with me as I continue to make these blog changes... I am still not done yet.. and of course I may even change the changes... that's a woman's prerogative you know!

I am trying to streamline the look, and de-clutter.... starting with the blog and then moving on to the studio, house, cupboards, wardrobe, body... yes the list is endless really!

So, tell me, are any of you guys in to blog re-organisation?! I need to make a new header. I remember making the first and only!)  one and it was pretty stressful, quite truthfully. I have now moved the width of the blog... hmm that was probably not wise.. now I do not know how wide to make it! Ok.. it's a challenge I shall have to rise to.

I love the look of  blog titles with no frames at all.. However I am pretty sure that would be hard and require the use of photoshop, etc. Anyone got a quick fix for this!?

Oh well, onward and upward as they say.. got to start this new year off POSITIVELY!

Clutter to some, collection to others. Beautiful all the same. From Brabourne farm

Thanks for being understanding,


Tuesday, October 23, 2012

Styling for the vintage dress form.

Hello friends,

My friend Collette is now draped in a Summer scarf  ( remember, I am in Australia.. and it is heading towards Summer now) and a few lightweight vintage necklaces.

Cast aside are the paisley shawl and the selection of Winter scarves that usually adorn her lovely neck.

This sweet wisp of a scarf is a length of grey, spotted material with lace edging.
I purloined it from my daughter's wardrobe ( she is overseas in Wintery Europe )

I have had nothing but compliments each time I wear it.... how easy would this be to make.... !?



Until next time,

Sunday, October 21, 2012

I Heart macro - the flower spike.

Hello friends,

Last week while I was out and about I saw this wonderful plant. It had a large footprint and a HUGE spike with red flowers. I think it was a little past it's prime but the bees were still loving it.

Does anyone know the name of this beauty?

A busy little bee!

The wonderful flower spike.

studio waterstone

Today, I am linking up to I Heart Macro... where you can see "photography for  macro makers and the Camerologically challenged" Please do head on over for a look.. just click on the photo icon above and it will take you straight there!

(Also, if you wish to see a close-up photo of a surprise visitor I had yesterday look here... last photo on the post!)

Have  you are having a great weekend,

Wednesday, October 17, 2012

Carli Hall - Profile of an Australian bead maker

Hello friends,

Here is another wonderful Australian bead maker to show you. Carli makes many wonderful bead styles including an intricate, floral style and layered dots. She is keen on coring and capping some of these beauties. All of her beads are intricate little works of art. Many of them take more than an hour to make per bead and include many different technical skills.

Anyway, you can read more about her as she answers the following questions I  have put to her....

1. How long have you been lampworking and what led you to begin to make glass beads?

 I have been lampworking for 8 years.  I was buying other artists beads to use in my jewellery and realised I could very well make them myself!

2 Please describe your workplace. Do you have a dedicated studio space?
My workspace is in the garage, on a single small desk in the corner amongst the paint cans and spider webs. 

 The very glamorous Carli at her workspace in the garage. On her left is her blue (Paragon) kiln. The tools with handles are brass presses. (She is working at the 'Cricket' torch in this shot.)

A very neat work table... wonderful  selection of glass colored rods ( I actually know her stash is bigger than this!) and storage, glass presses and the mini cc torch. Looks like a pretty good music collection,too!

3 Which glass is your current favourite and why?
 I only use 104 COE glass for convenience sake.  At the moment I am having lots of fun playing with Double helix silver glass, but my faves often change!  It all depends how many new colors come out that month!

4 What type of torch/es do you use? Can you tell us a little about it?
I have a Mini CC and love it.  I am able to make very large beads on this and it gets super hot.  It's also easy to fume with and the fuel mix reduces silver glass nicely.  I also have a 'Cricket' torch which I rarely use.

5 How would you describe your style?
 My style changes constantly.  My customers often say that they never know is going to be on my table from one show to the next, and that's what I aim for.  Beadmaking would be way too boring for me if I didn't experiment and change every few months.

A fabulous collection of one of Carli's 'signature' beads... her colourful cored and capped floral beads.

A layered and raked dotted bead with goldstone stringer, poked bubbles and silver glass addition. This is a real beauty and takes quite a while to make, too.

6 When the ‘muse’ has left the studio, what do you draw on to re-inspire you?
Some days I make absolute rubbish beads and when that happens, I just turn everything off and admit defeat.  Or pull stringers.  I can't be terrific-ly clever ALL the time.

A selection of the layered dots and bubble style... ready to make up in a bracelet or necklace.

7 If you could have a class with any well-known lampwork artist in the world, who would you choose and why?
 I am in lust with a few lampworkers beads and would love classes with all of them.  I am lucky enough to cross one artist of the list: Holly, next year.  I am keeping fingers crossed that one day Kristina Logan decides to visit us here.

8 Do you have any other artistic interests and what are they?
I love doing all things arty: I mosaic, draw and sculpt.  I have dabbled in watercolor painting and pottery.  Glass is what I am in love with tho. Silver-smithing is on the agenda for 2013.

Thank you Carli for your time and photos.
You can see more of Carli's work ... here are her contact areas..


Facebook: https://www.facebook.com/pages/Bead-licious-Lampwork/65034749216
Blog: www.bead-licious.blogspot.com
Website: www.bead-licious.com


Until next time,


Thursday, October 11, 2012

Sweet clasps have arrived!

Hello dear friends,

Thought I would show you a photo or two of the darling little clasps I purchased from Jo at Daisychain Jewellery.

Jo is located in Southhampton, United Kingdom... so these little babies have flown half way around the world to land in my hot little hands! It is always so exciting to receive something so delightful and from another country as well!

Thankyou Jo, I adore them and will be putting them to good use very soon.

A little copper oak leaf and daisy clasp and a sterling silver leaf clasp.

A closeup of the textured and patinaed copper daisy clasp. Love the daisy centre, too.

The three clasps with some yet, unfinished soldered copper oval links. ( mine). Macro setting on my camera really shows up the silver solder on these links. ( as well as the hair!) In real life it is not quite as obvious as this.... back to the sanding paper to refine these a little.

Jo has also got some sweet birds and butterfly clasps, poppies and toggles in her shop to name a few, so check it out! I had a difficult time choosing.. they are all so gorgeous!

Bye for now,

Sunday, September 23, 2012

Kind Deeds Are the Fruits

Hello dear friends,

Kind hearts are the garden,
Kind thoughts are the roots
Kind words are the blossom,
Kind deeds are the fruits

This poem was a favourite of my Grandmother, she lived her life by the sentiment expressed in these very true words.

I have joined in the fun of the "Pay it Forward" ideal that is eddying around our wonderful blogging community. Jenn from Souls Fire Designs also joined in and it was from her post that I decided to jump right in and join in with a random act of kindness of my own.

To the first three people who comment on this post, I will send a surprise gift. It may be lampwork beads, copper or silver work.. or even a dash of all three!

It will be sent sometime in the next 365 days :)   ... that way it will indeed be a surprise!

Please leave a comment ( with your e-mail address ticked ON ) I will send you a response asking for your address.. and we are on our way.


In order to complete your sign up, you MUST play along, too. This after all, is the spirit of "pay it forward" and keeps the love circulating!

Just remember,

"Kind deeds are indeed the fruits!"

Monday, September 17, 2012

Profile of an Australian bead-maker: Belinda Clarke

Hello dear friends,

This is the second in my series showing the talents of Aussie  glass bead makers. 

This week I am talking to Belinda Clarke from Bellisimo Jewels.

For those who do not know, glass bead making or 'lamp-working' as it is often called, began many centuries ago. The techniques that are used today are a little different, the torches are more sophisticated but essentially the techniques are not too dissimilar. Hot glass is wrapped around a metal rod. The constant rotation of the rod, shapes and keeps the bead round. Decorations are added with thinner pieces of glass and manipulation of shapes can be achieved with tools and gravity. That is it in a nutshell... though of course, the techniques are many and the combinations of colour and design only limited by the artist himself.

Here are the questions I put to Belinda:


1. How long have you been lampworking and what led you to begin to make glass beads?
I have been lampworking for about 6 years – I started like most by making jewellery and just couldn’t find any beads that were unusual and unique, so I started researching if it was possible to make my own beads. I took a class with Pauline Delaney in Melbourne and met Marianne Bradman (Fields of Clover) I immediately fell in love with the glass and the colours and the possibilities! I took the plunge and set myself up with the basics and it has just evolved from there – there is always something new to buy to add to the collection of glass colours or tools or books etc

2. Please describe your workplace. Do you have a dedicated studio space?
My husband granted me a space in our garage between two pillars as my defined work area (tongue in cheek!) As long as I don’t encroach on his workbench all is good.  Actually he is very supportive and loves that I have explored a new creative area. I think he gets a bit jealous that he doesn’t have the time to do more tinkering at his own workbench. Here is a photo of me at my “designated workspace”





3. Which glass is your current favourite and why?
Hard question to answer Jenni because there are SO many, I love working with the Silver Glasses particularly Elecktra, Gaia & Terranova. I use Elecktra & Gaia a lot when making the tails and wings on my bird beads and I find it easy to get different colours from them in the flame. And Terranova, well it is a muddy brown glass rod that just gives divine colours in the flame

4. What type of torch/es do you use? Can you tell us a little about it?
A good old original Minor Burner – had it since day one, love it and haven’t had the need to change yet.

5. How would you describe your style?
 “Eclectic” – probably organic but then in the past twelve months I have been making little bird beads and “Carmen Miranda Faces”. Since completing Leah Fairbank’s floral class in April this year I have started doing more florals beads which I always thought was beyond my capabilities

Little bird with copper nest.


'Carmen Miranda'

6. When the ‘muse’ has left the studio, what do you draw on to re-inspire you?
When the “muse” has left I like to go back to my books and sit quietly reflecting on all the wonderful skills and designs from all the artists or I like to meet up with my bead buddies and have a beadmeet – I always find it inspiring to talk to other like-minded people and to see what they have been doing.  I am a great procrastinator – it drives me nuts! But when I get down to the workbench I love it and wonder why I took so long to go back to the flame.

7. If you could have a class with any well-known lampwork artist in the world, who would you choose and why?
I would like to do a class with Hayley Tsang as she is renowned for her work with silver glass – I really don’t have any other ONE person in mind, I have enjoyed the 4 classes I have taken so far – Jim Smircich, Andrew Guarino, Corina Tettinger & Leah Fairbanks – all really different glass bead artists and I came away with new skills from each of them. I would love to spend a day at the torch with a friend in our bead group – Carli Hunter Hall – Carli makes such beautiful floral beads and really colourful beads, she is so skilled I think I could learn a lot from her.  I will have to convince her to start teaching!!

8. Do you have any other artistic interests and what are they?
I did dabble in glass slumping at one stage but it didn’t “push my buttons” so to speak! In the past I have done basic patchwork & folk art but nothing has compared to lampworking.

Terranova drops.

Thanks Belinda for sharing your glass passion with us. 

I also must tell you that Belinda also makes wonderful rosary bead necklaces and bracelets combining Swarovski crystals/ pearls and cultured pearls which she sells all over the world.

You can also see more of Belindas  work on her facebook page (business) as well as at her main site Bellissimojewels.com.au

That's it for today folks,





Sunday, September 16, 2012

Sunday Macro

Hello friends,

I have had a busy weekend tidying both house and studio. Just managed to take some quick shots for 'I Heart Macro' while the sun was still peeping from behind the clouds.

At least the Gazanias were still open for the day!

The white iris has finished and now the coloured ones are appearing.

The 'blue' bells under the crab apple tree are opening.If you look closely you will see they are mauve with blue stripes, so pretty.

And the apple tree is getting ready...

Today as usual on a Sunday, I am linking up at Lori's place.

Please click on the photo below and it will take you to see photos by those who love to take close up and macro.

studio waterstone

Until next time,

hope you all having a great weekend,

Friday, September 14, 2012

A Glass Bead Trip

Hello dear friends,

I am so excited to show you this gorgeous book "A Glass Bead Trip" by Claudia Trimbur- Pagel. It arrived this afternoon all the way from France! (very fast too!)

Claudia's beads are really unique... they combine a wonderful sense of quirky with precision and such style.
She also combines her beads with hand - made made silver clay embellishments and settings to make her jewellery so beautifully elegant and arty.

Here are a few photos taken from the book, which by the way is written in English, German and French.
There are HEAPS of photos and step by step info ( including the silver clay work) in this gorgeous book for bead makers.


Look at all that beautiful silver clay work!

The girl's eye is a murrini  - how to make this is in the book.

Wonderful colour and stringer work.

Cute dogs.. I think the white ones look a little like Schnauzers.. must have a go at making one of those seeing my dog, 'Pepper' is a Schnauzer.

So, have I got your interest piqued?

Here is a link if you wish to look further.

Now, I am off to give it a proper read!
Have a great weekend,

Jenni


Thursday, August 30, 2012

Thank me - Thank YOU!

Hello dear friends,

Lori sent me (and close to 400 others I'm guessing) this cute card.
Looks like it's on again next year... yippee!

So Cute!

Sure will....Thanks Lori!

Now off to the studio before the hail hits!

Love to all,

Sunday, August 26, 2012

Love and beads.



Hello dear friends,

After some months, I finally sat down in my studio and had a play with some glass. I cannot say I made anything spectacular... but it was certainly good just to have a play... the way certain types of glass reacts to another has always been a wonderful mystery to me.. and probably the reason why I took up this fascinating craft in the first place. The beads are in the kiln at the moment, so if there is anything worth showing...... might show you tomorrow!

Today I am linking up to "I Heart Macro" over at Lori's place for those who love to take up close and macro photos.

We all need to give and receive it... it has been getting me through these last sad weeks.

studio waterstone


Please head on over to Loris for a bit of Macro love. Click on the photo above and it will take you straight 
there.


Until next time,









Sunday, July 15, 2012

Fabry's Disease and my family.

Hello friends,

Just to warn you, this will be a bit of a long post tonight.

As some of you may have noticed, I have opened an Artfire shop recently.
I have nominated 10% of all my sales to go to Fabry Australia. 
Fabry Australia is the shortname for the Fabry Support Group of Australia -   “A not-for profit organisation (and listed charity) whose primary concern is to share information about Fabry’s disease.”

Fabry’s disease came into my family’s life nearly 20 years ago when my oldest brother, David, was diagnosed with it after suffering a stroke at the age of 48.
Let me tell you a little about Fabry’s disease.

Fabry’s disease is a rare inherited disease, arising when a person is lacking a certain enzyme. This enzyme, called alpha A, is needed to remove a different enzyme, GL-3, from the body. Because this elimination does not happen, GL-3 slowly builds up in the body with resultant damage to blood vessels, nerves, kidneys, heart and eyes.

Once thought to only affect men, further research has shown it can affect men, women and children.

Both my brothers, David and Robin, suffered from the long term effects of Fabry’s disease. Their particular form of damage was to the cardio-vascular system. They both died young, in their 50’s, from cardiac and vascular complications.

These days, in Australia, there is an enzyme replacement therapy treatment available to people who have Fabry’s disease. It does not cure the disease, but rather reduces the likelihood of serious damage to organs (and consequently prolongs life) as well as reducing the occurrence and severity of the debilitating symptoms. The treatment was not given to David or Robin as the replacement enzyme therapy was not available in Australia before they died.

Both my brothers were not diagnosed until their 40’s. This was not for want of trying. As a child, David had quite severe symptoms. My Mother took him to various Doctors who really did not know what was the underlying cause of his problems, due to the rarity of the disease. At one stage, she was told he was  “just putting it on and to take him to a psychiatrist!”

David did the rounds of both conventional and alternative treatments when he was a young man, but still no one could diagnose the reason for his unusual series of symptoms.

I remember when I was about 9 or 10 years of age, I would go to the local shop for a cooling ice-cream for him as his feet and hands were so painful he could not walk. It was mid-summer and his hands were freezing cold and quite greyish in appearance. He clearly had significant damage by this age. He was about 19 or 20 years old then.

Robin, fortunately, did not suffer with quite as extreme pain, but it was apparent that he did have the same symptoms. Both of the brothers used to get very badly swollen ankles from fluid retention - a sign of poor circulation. They would often have difficulty doing up their shoes, particularly in the hot weather.

Not long after David was diagnosed, his wife, Margaret, and my father wrote an article for the Australian Women’s Weekly (an Australian magazine) about David and his recovery after suffering from a stroke.
The story stuck a chord with a number of readers - it seemed that there were quite a few other people in Australia suffering from Fabry’s disease or who had been experiencing similar symptoms and thought they might have the illness or knew a family member who had those symptoms without a diagnosis.
A support group was started. Funds were raised from craft stalls. Craft, cakes and coat hangers were sold at every opportunity! Enough money was raised to fund a research student for a year. A clinic commenced and a data-base of sufferers and their different types of family presentation was instituted in combination with specialist Doctors. This, of course did not happen overnight, but took years to get to this stage.

Eventually, an American pharmaceutical company came to Australia to help.
Studies were done and eventually, enzyme replacement trials began in early 2000.  Government approval and funding for the Enzyme replacement therapy followed in 2004. 

By this stage, both my brothers had died. Personally, it was a very difficult time.
The boys had died 4 months apart and, sadly, just before the enzyme trials began. I knew that David’s disease process was just too advanced, but I did have such high hopes that treatment may have been useful to prolong Robin’s life, but it just was not meant to be. 

Unfortunately, way too many people with Fabry’s disease are still not diagnosed until later in life, when all too often, a lot of damage has already been done to their health.   

The Fabry support group and network has grown… over the years it has become very active with a newsletter to its members, a website and a Facebook page and does an amazing effort in keeping abreast of the latest treatments and information both here in Australia and worldwide.

The group has been managed by a dedicated group of volunteers all this time and it is only this year that a paid assistant is helping with the office work.

As with any charitable organization, there is always the task of fundraising to pay for ongoing costs.
I thought if I did manage to sell anything in my Artfire shop, it would be a good idea to make a small contribution to the support group.

If you wish to read more about Fabry’s disease, the Fabry Australia logo on my blog sidebar will take you to their website or just click here!

If you have read all this way, thank you!

 







                        David.                                                                                      Robin
               17.2.44 - 8.11.99                                                                     6.1.48 - 13.3.00

Make sure you hug your loved ones tonight,

Saturday, July 7, 2012

Bead Soup sent.. and received

Hello friends,

Well, my friend over at Moobie Grace Designs has received the Bead Soup I sent her.
So, now I can show a few photos. ( Although I think Tania's are SO much better than mine) No hair for starters!

Lampwork beads, sari silk, dyed coral, faceted labradorite, handmade copper chain, links and clasp.
Handmade bezel with coloured resin focal. (sorry about the hair.. aargh!)

Handmade lamp work beads...they look a bit like stone or agate ... but are glass. Actually the glass is called Light Lace Agate (by Effetre) so there you go!

Tania's photos of the soup I sent are arty and very sparkly... I am going to have to pick up my game when the beads from her come to me! Hurry up Mr. Postie!

And just to let you know, I have opened up a little Artfire shop. Still very early days.. only two items listed!
I am still trying to work out the editing/posting process. And as much as I have read and re-read how to get a nice crisp WHITE background, it still is not happening.... I have spent the better part of today and I don't know HOW many photos practising what seems to be a an illusive task! Still only a lighter shade of gray...

Any tips, anyone?

So, it's back to the drawing board..err, computer.

I hope you are all having a more exciting day than me..!

Cheers,

Wednesday, June 6, 2012

Glass Love - Fishing boat floats.

Hello dear friends,

Most of you by now will know I love glass. I collect interesting bits and pieces of glass.
I have a collection of glass paper weights, a small but steadily growing collection of sea glass found on my local beaches and of course, beads that I love made by master glass artists (as well as the glass beads that I make myself).

Last month, I spent some time with friends at McCrae, a beachside locale on the Mornington Penninsula, near Melbourne.
While we were there we had a day trip to nearby Flinders and it was here that I came across these little beauties.
They are Japanese glass fishing floats. They were once used by fishermen in many parts of the world to keep their nets afloat.
I wish I could say I found them washed up on a beach, but alas, I bought them in an art gallery!




After doing a bit of further research about these fishing floats, I came up with the following information....

- they were traditionally handmade by a glassblower using recycled glass... often sake bottles. After being blown, a 'button' of glass sealed the hole. Sometimes a Kanji symbol was put on or near the sealing button to identify the float for trademark (sadly I have none on my floats).

- Glass floats have now been (mostly) replaced by aluminium, plastic or styrofoam.

- There are glass floats, which were once attached to nets, still drifting in the ocean today. They are often stuck in a circular pattern of ocean currents in the North Pacific. Currents beginning off the east coast of Taiwan flow past Japan, travel east across the Pacific before slowing down in the Gulf of Alaska. The currents then head south, and then are pushed northward to continue their circular pattern.
Although glass float numbers are decreasing, any that are washed up are likely to be on beaches that are close to these areas of ocean currents.... mostly the beaches of Alaska, Washington, or Oregon in the United States, Taiwan or Canada.

- It is estimated that floats that wash-up on Alaskan beaches are at least 10 years old.

- they do come in other colours - amber, amethyst and blue and the more rare and collectible red or cranberry hue. Other brilliant tones such as emerald green, cobalt, blue, purple and yellow were primarily made in the 1920's.

I find it amazing that these little glass floats are still just bobbing around out there.

I also came across this very interesting blog, The Glass Float Junkie, whilst researching the history of Japanese fishing floats.
You MUST check it out.. fascinating! You will be amazed when you see some of the photos, including bear tracks next to glass floats on an Alaskan beach! Scary!

The Glass Float Junkie also has this etsy shop if you are interested...

Well, that's your lot for today,
Hope you have a good one,

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